In 1953 he appeared in his first Hollywood movie, Elephant Walk (1954), shot in Ceylon and Los Angeles. The circumstances of production were turbulent; filming started with Vivien Leigh in the lead but she had a nervous breakdown during production and had to be replaced by Elizabeth Taylor. The experience helped sour Finch on a Hollywood career and he would only work occasionally there for the rest of his career.
Under the Big Top – touring show with George Sorlie, various Queensland towns, 1936, playing Herbert Hughes in Laughter of Fools by H.F. Maltby, Smithers in Married by Proxy by Avery Hopwood, Peter in Fair and Warmer by Avery Hopwood, Hunter in Ten Minute Alibi by William Armstrong – all directed by William McGowan with Murray Matheson, Rosalind Kennerdale, Leslie Crane, Eva Moss, Norman French, Julia Adair and George Douglas.
George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery. Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."
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|%20Number%3A356374%20|%20Number%3A358641%20|%20Number%3A358746%20|%20Number%3A575257%20|%20Number%3A575255%20|%20Number%3A449081%20|%20Number%3A582335%20|%20Number%3A582326%20|%20Number%3A351094%20|%20Number%3A352071%20|%20Number%3A582364%20|%20Number%3A582573%20|%20Number%3A426974%20|%20Number%3A426965%20|%20Number%3A426973%20|%20Number%3A426987%20|%20Number%3A355620%20|%20Number%3A357177;querytype=;resCount=10 Peter Finch media holdings[permanent dead link] at the National Film and Sound Archive of Australia.
He had a small role as an Australian prisoner of war in The Wooden Horse (1950), the third most popular film at the British box office in 1950. His performance as a Pole in Daphne Laureola led to his casting as a Polish soldier in The Miniver Story, the sequel to the wartime morale boosting film Mrs. Miniver; unlike its predecessor, it was poorly received critically.
We all say we're going to quit occasionally. I'd like to have been more adventurous in my career. But it's a fascinating and not ignoble profession. No one lives more lives than the actor. Movie making is like geometry and I hated maths. But this kind of jigsaw I relish. When I played Lord Nelson I worked the poop deck in his uniform. I got extraordinary shivers. Sometimes I felt like I was staring at my own coffin. I touched that character. There lies the madness. You can't fake it.
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