Frederick George Peter Ingle Finch (28 September 1916 – 14 January 1977) was an English-Australian actor.[1][2] He is best remembered for his role as crazed television anchorman Howard Beale in the film Network, which earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes.
George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery.[9] Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."[10]

In 1934–35 he appeared in a number of productions for Doris Fitton at the Savoy Theatre, some with a young Sumner Locke Elliott. He also worked as a sideshow spruiker at the Sydney Royal Easter Show, in vaudeville with Joe Cody and as a foil to American comedian Bert le Blanc.[13] At age 19 Finch toured Australia with George Sorlie's travelling troupe.
“Peter and the team offer professionally run, competitive golf at the best courses in the UK. It has been a great way for me to play the top venues under tournament pressure whilst meeting people I now class as friends. A tight ship is run too, with no questionable handicaps and scores, which are well within reason, picking up prizes is a refreshing change. Since my involvement from 2014, you can see the tour growing naturally year on year and given the schedule who can see it stopping. Every event is top class – and glad to be apart of it.”
During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
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HELP: You are on European Tour scores page in FlashScore.com / Golf section. FlashScore.com offers European Tour leaderboard, rankings, final results, tee times and player scorecards. Follow European Tour on this page or live golf scores of all ongoing golf tournaments at www.flashscore.com/golf/. Our livescore service with European Tour scores is real time, you don't need to refresh it.
Categories: 1916 births1977 deathsAustralian Army soldiersAustralian expatriate male actors in the United StatesAustralian male film actorsAustralian military personnel of World War IIAustralian people of English descentAustralian male radio actorsAustralian male stage actorsBAFTA winners (people)Best Actor BAFTA Award winnersBest Actor Academy Award winnersBest Drama Actor Golden Globe (film) winnersBurials at Hollywood Forever CemeteryMale actors from SydneySilver Bear for Best Actor winners20th-century Australian male actors
Finch returned to Australia to make The Shiralee (1957), one of his favourite parts, and the tenth most popular movie at the British box office that year. He followed it with another Australian story, the bushranger tale Robbery Under Arms (1957), which did less well. However exhibitors still voted Finch the third most popular British star of 1957, and the fifth most popular overall, regardless of nationality.[28]
Finch returned to Australia to make The Shiralee (1957), one of his favourite parts, and the tenth most popular movie at the British box office that year. He followed it with another Australian story, the bushranger tale Robbery Under Arms (1957), which did less well. However exhibitors still voted Finch the third most popular British star of 1957, and the fifth most popular overall, regardless of nationality.[28]
During this time, Finch continued to appear on stage in various productions while under contract to Olivier. Finch's closeness to the Olivier family led to an affair with Olivier's beautiful but increasingly unstable wife, Vivien Leigh, which began in 1948, and continued on and off for several years, ultimately falling apart due to her deteriorating mental condition.[23]
Finch returned to Australia to make The Shiralee (1957), one of his favourite parts, and the tenth most popular movie at the British box office that year. He followed it with another Australian story, the bushranger tale Robbery Under Arms (1957), which did less well. However exhibitors still voted Finch the third most popular British star of 1957, and the fifth most popular overall, regardless of nationality.[28]
“Peter and the team offer professionally run, competitive golf at the best courses in the UK. It has been a great way for me to play the top venues under tournament pressure whilst meeting people I now class as friends. A tight ship is run too, with no questionable handicaps and scores, which are well within reason, picking up prizes is a refreshing change. Since my involvement from 2014, you can see the tour growing naturally year on year and given the schedule who can see it stopping. Every event is top class – and glad to be apart of it.”
He was soon cast in his first British movie, playing a murderous actor in Train of Events (1949). Critic C. A. Lejeune praised his work in the London Observer commenting that he "adds good cheekbones to a quick intelligence and is likely to become a cult, I fear."[19] The Scotsman said "he should be regarded as one of the most hopeful recruits to the British screen."[20]
In 1954, the Australian journalist and author George Johnston wrote a well-researched series of biographical articles on Finch, his life, and his work, which appeared in the Sydney Sun-Herald on four consecutive Sundays, which were certainly the first detailed account of Finch's life to be published. Finch later provided the inspiration for the character Archie Calverton in Johnston's novel, Clean Straw for Nothing.[37]

Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California.[33][34][35] He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father.[citation needed] Finch and Turner divorced in 1965.[2] In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch.[2][36] They had a daughter together, Diana.[35]

In 1953 he appeared in his first Hollywood movie, Elephant Walk (1954), shot in Ceylon and Los Angeles. The circumstances of production were turbulent; filming started with Vivien Leigh in the lead but she had a nervous breakdown during production and had to be replaced by Elizabeth Taylor. The experience helped sour Finch on a Hollywood career and he would only work occasionally there for the rest of his career.
|%20Number%3A356374%20|%20Number%3A358641%20|%20Number%3A358746%20|%20Number%3A575257%20|%20Number%3A575255%20|%20Number%3A449081%20|%20Number%3A582335%20|%20Number%3A582326%20|%20Number%3A351094%20|%20Number%3A352071%20|%20Number%3A582364%20|%20Number%3A582573%20|%20Number%3A426974%20|%20Number%3A426965%20|%20Number%3A426973%20|%20Number%3A426987%20|%20Number%3A355620%20|%20Number%3A357177;querytype=;resCount=10 Peter Finch media holdings[permanent dead link] at the National Film and Sound Archive of Australia.
Under the Big Top – touring show with George Sorlie, various Queensland towns, 1936, playing Herbert Hughes in Laughter of Fools by H.F. Maltby, Smithers in Married by Proxy by Avery Hopwood, Peter in Fair and Warmer by Avery Hopwood, Hunter in Ten Minute Alibi by William Armstrong – all directed by William McGowan with Murray Matheson, Rosalind Kennerdale, Leslie Crane, Eva Moss, Norman French, Julia Adair and George Douglas.
Finch's next three films saw him support notable female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
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