Frederick George Peter Ingle Finch (28 September 1916 – 14 January 1977) was an English-Australian actor.[1][2] He is best remembered for his role as crazed television anchorman Howard Beale in the film Network, which earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes.
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“Peter and the team offer professionally run, competitive golf at the best courses in the UK. It has been a great way for me to play the top venues under tournament pressure whilst meeting people I now class as friends. A tight ship is run too, with no questionable handicaps and scores, which are well within reason, picking up prizes is a refreshing change. Since my involvement from 2014, you can see the tour growing naturally year on year and given the schedule who can see it stopping. Every event is top class – and glad to be apart of it.”
In 1980, American author Elaine Dundy published a biography of Finch titled Finch, Bloody Finch: A Biography of Peter Finch. That year, his second wife, Yolande Finch, also published a posthumous account of their life together, Finchy: My Life with Peter Finch. Another biography had previously been published by his friend and colleague Trader Faulkner, in 1979.
Finch's next three films saw him support notable female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
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He had a small role as an Australian prisoner of war in The Wooden Horse (1950), the third most popular film at the British box office in 1950. His performance as a Pole in Daphne Laureola led to his casting as a Polish soldier in The Miniver Story, the sequel to the wartime morale boosting film Mrs. Miniver; unlike its predecessor, it was poorly received critically.[21][22]
During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
In 1934–35 he appeared in a number of productions for Doris Fitton at the Savoy Theatre, some with a young Sumner Locke Elliott. He also worked as a sideshow spruiker at the Sydney Royal Easter Show, in vaudeville with Joe Cody and as a foil to American comedian Bert le Blanc.[13] At age 19 Finch toured Australia with George Sorlie's travelling troupe.
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