|%20Number%3A356374%20|%20Number%3A358641%20|%20Number%3A358746%20|%20Number%3A575257%20|%20Number%3A575255%20|%20Number%3A449081%20|%20Number%3A582335%20|%20Number%3A582326%20|%20Number%3A351094%20|%20Number%3A352071%20|%20Number%3A582364%20|%20Number%3A582573%20|%20Number%3A426974%20|%20Number%3A426965%20|%20Number%3A426973%20|%20Number%3A426987%20|%20Number%3A355620%20|%20Number%3A357177;querytype=;resCount=10 Peter Finch media holdings[permanent dead link] at the National Film and Sound Archive of Australia.
During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California.[33][34][35] He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father.[citation needed] Finch and Turner divorced in 1965.[2] In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch.[2][36] They had a daughter together, Diana.[35]
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Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California.[33][34][35] He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father.[citation needed] Finch and Turner divorced in 1965.[2] In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch.[2][36] They had a daughter together, Diana.[35]
Frederick George Peter Ingle Finch (28 September 1916 – 14 January 1977) was an English-Australian actor.[1][2] He is best remembered for his role as crazed television anchorman Howard Beale in the film Network, which earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes.

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Categories: 1916 births1977 deathsAustralian Army soldiersAustralian expatriate male actors in the United StatesAustralian male film actorsAustralian military personnel of World War IIAustralian people of English descentAustralian male radio actorsAustralian male stage actorsBAFTA winners (people)Best Actor BAFTA Award winnersBest Actor Academy Award winnersBest Drama Actor Golden Globe (film) winnersBurials at Hollywood Forever CemeteryMale actors from SydneySilver Bear for Best Actor winners20th-century Australian male actors
Frederick George Peter Ingle Finch (28 September 1916 – 14 January 1977) was an English-Australian actor.[1][2] He is best remembered for his role as crazed television anchorman Howard Beale in the film Network, which earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes.
During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
Finch's film roles increased in size and prestige through the early 1950s. For Walt Disney he played the Sheriff of Nottingham in The Story of Robin Hood and His Merrie Men (1952). He was given two good roles in films from Alexander Korda: as Richard D'Oyly Carte in The Story of Gilbert and Sullivan (1953), and as a priest in The Heart of the Matter (1953), from the Graham Greene novel.
Finch's next three films saw him support notable female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
Finch co-wrote and directed an award-winning short film, The Day (1960) and announced plans to direct a feature but it did not eventuate. He won his third BAFTA for Best Actor for No Love for Johnnie (1961), although like Oscar Wilde, the film lost money. He was originally chosen to play Julius Caesar in Cleopatra (1963) and filmed scenes in London, but when the film was postponed he withdrew; the role was recast with Rex Harrison.
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