He had a small role as an Australian prisoner of war in The Wooden Horse (1950), the third most popular film at the British box office in 1950. His performance as a Pole in Daphne Laureola led to his casting as a Polish soldier in The Miniver Story, the sequel to the wartime morale boosting film Mrs. Miniver; unlike its predecessor, it was poorly received critically.[21][22]

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During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery.[9] Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."[10]
Finch's next three films saw him support notable female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery.[9] Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."[10]
In 1934–35 he appeared in a number of productions for Doris Fitton at the Savoy Theatre, some with a young Sumner Locke Elliott. He also worked as a sideshow spruiker at the Sydney Royal Easter Show, in vaudeville with Joe Cody and as a foil to American comedian Bert le Blanc.[13] At age 19 Finch toured Australia with George Sorlie's travelling troupe.
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In 1953 he appeared in his first Hollywood movie, Elephant Walk (1954), shot in Ceylon and Los Angeles. The circumstances of production were turbulent; filming started with Vivien Leigh in the lead but she had a nervous breakdown during production and had to be replaced by Elizabeth Taylor. The experience helped sour Finch on a Hollywood career and he would only work occasionally there for the rest of his career.
Finch returned to Australia to make The Shiralee (1957), one of his favourite parts, and the tenth most popular movie at the British box office that year. He followed it with another Australian story, the bushranger tale Robbery Under Arms (1957), which did less well. However exhibitors still voted Finch the third most popular British star of 1957, and the fifth most popular overall, regardless of nationality.[28]

|%20Number%3A356374%20|%20Number%3A358641%20|%20Number%3A358746%20|%20Number%3A575257%20|%20Number%3A575255%20|%20Number%3A449081%20|%20Number%3A582335%20|%20Number%3A582326%20|%20Number%3A351094%20|%20Number%3A352071%20|%20Number%3A582364%20|%20Number%3A582573%20|%20Number%3A426974%20|%20Number%3A426965%20|%20Number%3A426973%20|%20Number%3A426987%20|%20Number%3A355620%20|%20Number%3A357177;querytype=;resCount=10 Peter Finch media holdings[permanent dead link] at the National Film and Sound Archive of Australia.
Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California.[33][34][35] He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father.[citation needed] Finch and Turner divorced in 1965.[2] In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch.[2][36] They had a daughter together, Diana.[35]
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