George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery.[9] Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."[10]
He was soon cast in his first British movie, playing a murderous actor in Train of Events (1949). Critic C. A. Lejeune praised his work in the London Observer commenting that he "adds good cheekbones to a quick intelligence and is likely to become a cult, I fear."[19] The Scotsman said "he should be regarded as one of the most hopeful recruits to the British screen."[20]

During this time, Finch continued to appear on stage in various productions while under contract to Olivier. Finch's closeness to the Olivier family led to an affair with Olivier's beautiful but increasingly unstable wife, Vivien Leigh, which began in 1948, and continued on and off for several years, ultimately falling apart due to her deteriorating mental condition.[23]
Finch's film roles increased in size and prestige through the early 1950s. For Walt Disney he played the Sheriff of Nottingham in The Story of Robin Hood and His Merrie Men (1952). He was given two good roles in films from Alexander Korda: as Richard D'Oyly Carte in The Story of Gilbert and Sullivan (1953), and as a priest in The Heart of the Matter (1953), from the Graham Greene novel.

“Peter and the team offer professionally run, competitive golf at the best courses in the UK. It has been a great way for me to play the top venues under tournament pressure whilst meeting people I now class as friends. A tight ship is run too, with no questionable handicaps and scores, which are well within reason, picking up prizes is a refreshing change. Since my involvement from 2014, you can see the tour growing naturally year on year and given the schedule who can see it stopping. Every event is top class – and glad to be apart of it.” 

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© 2020 Condé Nast. All rights reserved. Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. Do Not Sell My Personal Information Golf Digest may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices
Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California.[33][34][35] He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father.[citation needed] Finch and Turner divorced in 1965.[2] In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch.[2][36] They had a daughter together, Diana.[35]
During this time, Finch continued to appear on stage in various productions while under contract to Olivier. Finch's closeness to the Olivier family led to an affair with Olivier's beautiful but increasingly unstable wife, Vivien Leigh, which began in 1948, and continued on and off for several years, ultimately falling apart due to her deteriorating mental condition.[23]
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